Renaissance |
|
Daniel Batchelar |
Mounsiers Almaine |
John Dowland |
2 Fantaisies** |
Luys Milan |
Fantaisies |
Francesco da Milano |
Fantaisies et Ricercares |
Luys de Narváez |
Canción del Emperador (Mille Regretz) de Josquin Deprez** |
Baroque |
|
Johann Sebastian Bach |
Suites BWV 995*, 997*, 1008* |
Johann Jacob Froberger |
Lamento in D-Dur |
Georg Friedrich Haendel |
Sonata op. 1 n° 4 HWV 362* |
David Kellner |
Phantasia in A moll and D-Dur* |
Domenico Scarlatti |
6 Sonate K. 333, 334, 208*, 209*, 213*, 27* |
Sylvius Leopold Weiss |
Fantasie in D-moll* |
XIX° century |
|
Dionisio Aguado |
Adagio et polonaise Op.2 n°1 |
François De Fossa |
Divertissement Op. 13 n° 2 |
Mauro Giuliani |
Sonata Op.15 |
Luigi Legnani |
Capricci Op. 20 (selection) |
Kaspar-Johann Mertz |
Fantaisie hongroise Op. 65 n° 1 |
Franz Schubert/Mertz |
Six Lieder |
Niccolo Paganini |
Sonate e Ghiribizzi |
Fernando Sor |
Andante largo Op.5 n°5 |
Isaac Albeniz |
Granata |
Enrique Granados |
Valses Poeticos* |
Edward Grieg |
6 Liric Pieces |
Francisco Tárrega |
Quattro mazurke |
Agustín Barrios |
La Catedral |
XX° century |
|
Dusan Bogdanovic |
Jazz Sonata |
Leo Brouwer |
Elogio de la Danza |
Stefano Casarini |
Sonata n° 3 **** |
Mario Castelnuovo-Tedesco |
Capriccio diabolico Op. 85 (omaggio a Paganini) |
John W. Duarte |
Variations on a Catalan Folksong Op. 25 |
Manuel de Falla |
Homenaje, pour le Tombeau de Debussy |
Hans Warner Henze |
Drei tentos |
Simone Iannarelli |
Intermezzo e Danza mediterranea **** |
Frank Martin |
Quatre Pieces Breves** |
Maurice Ohana |
Tiento |
Julian Orbon |
Preludio y Danza |
Astor Piazzolla |
Primavera Portena* |
Manuel Ponce |
Sonatina Meridional |
Joaquín Rodrigo |
En los Trigales |
Alezander Tansman |
Mazurka |
Federico Moreno-Torroba |
The Castle of Spain (Selection) |
Joaquín Turina |
Fandanguillo |
Heitor Villa-Lobos |
Douze études |
William Walton |
Five Bagatelles |
Carlo Domeniconi |
Variazioni su un canto anatolico |
|
|
|
*trascrizione Paolo Pegoraro |
|
** revisione Paolo Pegoraro |
|
*** versione originale |
|
**** dedicato a Paolo Pegoraro |
